V for Vendetta
V
for Vendetta (2006)
Cast : Hugo Weaving, Natalie Portman, Stephen Fry,
Stephen Rea, John Hurt, Tom Pigott-Smith.
Directed by James McTigue.
Written by Alan Moore, David Lloyd
Screenplay by Wachowski Brothers
Review by Zulfiqar (4/5)
How
much does anarchy sell? It has the charm for sure but in practical politics, it
is certainly overvalued. Alan Moore’s movie ‘V for Vendetta’ partially supports
this debatable point of governance, but in a very silent society, which has
lost its vocal power to question the power dealings of the control, it cries
out for its must existence.
It is
based on the comics written by Alan Moore and illustrated by David Lloyd of the
same name. The strength of the movie comes from the point that the writers and
makers are of highly intellectual nature. Wachowski brothers, who made the
Matrix trilogy produced this film while James McTigue directed it. The subject
matter is wholly controversial as the fascist government, which rules this
dystopian future of Europe’s UK is a rather rotten system. The people however
find comfort in the action of silence and observation of inaction. But they
know that in the future, it is doomed to collapse, yet no one acts. V, who
reneges against this oppressive regime is deemed as a terrorist entity. But then
he makes his mark with his few minutes’ lecture on the regime and the people’s
promise to get involved with him to thwart it.
The TV
studio through which he connects to the populace is sabotaged by his use of
emergency channel and before they could catch him, he escapes with remarkable
ease. Who is this V? Chancellor Sutler asks his subordinates, party leader
Creedy and inspector Finch (Stephen Rea). But the former two have an inkiling
of an idea as to from where he had erupted. Their idea is strengthened as Lewis
Prothero, party’s spokesperson and Anthony Lillman, Bishop of London are
executed by V. and probably he is moving towards them. Evey, employee of the
earlier mentioned news channel, was a falsely charged accomplice to V’s
activities and she is imprisoned and questioned, which breaks her fully, until
she becomes a wholly different individual. ‘Who does this to her?’ is a completely
different question, but what she understands in the prison is more important. From
a fellow prisoner, in one of the most diabolical presentations, she understands
the story of how the new regime was formed by Chancellor using a deadly virus
to win the confidence and desperation of the population. She later understands
that V is a product of that finely engineered pandemic. And he won’t stop until
he crumbles the whole system.
The whole
story is a symbolic representation of the course of a regime, here a fascist
one. It is built on false promises and dangerous grounds, wields a hard hand at
the start, treads carefully at the rebelliousness and it’s strong confrontation
will be overpowered by the mounting hate of the oppressed. Evey is the representation
of common population, V is the first voice of fight, inspector Finch is the
thinking man, and Creedy/Sutler is the greedy worm who feeds on the destitute.
But we
should also contemplate as to what happens after the crumbling of the power. Is
anarchy the answer to the resurrection? It is nothing but chaos and would be
more dangerous. A thing attained by violent means can only breed more violence.
It should simmer down to democracy as it is just a changing process but not an
answer for building up of a civilization.
V
however is a must thing, which should happen once in a while to check the
scrupulous system. He is represented by Guy Fawkes’ mask and is dressed by the
voice of Hugo Weaving, whose precise utterances and commanding voice does the
entire job needed. The voice doesn’t only consist of unwavering and unfaltering
diction, but also persuasive and motivating sing song nature of a doer rather
than a preacher. His physicality presentation is done by extras probably, but
he does the spirit of the character job, fully. Over the guy Fawkes’ image, it
was David Lloyd’s idea to employ that historical, controversial figure as the
mask. And it answers the character quite completely. Natalie Portman is
sensitive like a slim flower, but she delivers an unconventional performance to
capture all the Eveys of the world. John Hurton as ruthless chancellor and Tom
Pigott-Smith as scheming Creedy win a lot of mileage.
However
the movie at the end hinges at the way the comic world of the dystopian future
UK is shown. It is shown like a world quarantined by the power of the system
such that even the voice of the people doesn’t become contagious. The hues are
dark with night time being employed effectively to show the lack of
intellectual light people are living in. V motivates them to break the comfort
and monotony of passive existence. His weapons are knives rather than guns. But
he isn’t deterred, because in the end, his great idea is ‘bullet-proof’ of
trivial purposes.
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