Avengers movie analysis
Avengers
Movie Analysis – 4/5
Zulfi
The
main reason to be liked about avengers and also the main reason it worked was
the way Joss Whedon pits one superhero against the other. The heroes fight
among themselves. Because it is not easy to just form a team and go along. To
form a group, you need to solve your differences. Hulk and Thor do, Thor and
Ironman do, Ironman and Captain America do (verbally). The first half of the
movie is busy with these setups. The inter-superhero relationship draws a lot
of interest and also establishes a firm structure to lay the plot on.
Joss whedon, a self
declared fanboy and an evident one too is an apt director for Avengers. When Coulson
talks with Cap like a small boy and even mentions about the cards he had, we
know it is Whedon talking. Because he understands each of his character so
well. He highlights IronMan’s wit and careless nature, Captain America’s
laidback and strict attitude, Thor’s nonchalance, black widow’s daring
acrobatics, Hawkeye’s bull’s eye hitting obsession and Hulk’s temper and havoc
inclined disposition. All the characters are strong in their own way, but we
have some favorites of our own.
The story begins when
tesseract, which we had last seen in Thor finds its way into SHIELD (don’t remember
how it got there)and from there into the hands of Loki, as he steals it. SHIELD
has its quarters destroyed by the same mischievous Asgardian God and fearing a
large scale war of the worlds, director Nick Fury decides to initiate his
Avengers programme. Now you know, who they are. But how they can be recruited? You
can’t buy aristocratic IronMan, nor patriotic captain America. And taming Hulk
is like passing a thread through a needle-hole, blindfolded, in a storm. But
the main thing which bothered me when I watched it the first time was about
Thor. Thor was in another world. How are they going to get to him? Whedon makes
it easy by Thor himself visiting the earth for his brother. When at last they
are assembled to catch hold of Loki, they try to find out his nefarious plan
with that most dangerous energy cube, Tesseract. But Loki succeeds in his
mission in opening a portal and inviting an army of ginormous beasts/carriers
and arm laden chitauri for fighting an intergalactic war for him. The six
avengers are pitted against them. And as the movie expectedly proves they
become too much to handle for the intruders.
Much has been said
about Mark Ruffalo’s portrayal of Hulk and everything has been in the positive way.
And it is. He had given that next stage for Hulk giving that brooding, self criticizing
character to that green, rage monster. But one should be fair. Eric Bana’s and Edward
Norton’s depictions have been masked by the serious presentations of their
respective directors. Though they might have had best fight sequences for Hulk,
they were devoid of the engaging and crowd pulling entertainment of Whedon’s
talents. He infuses pun-filled dialogue during Bruce Banner’s scenes and even
after he gets transformed into his alter-ego. That is what adds to the EQ
level.
But one should bow
down to Robert Downey Jr’s magnetic presence in the presence of his relatively
young cast. Though Cap may be the official leader, we easily see that Ironman
conducts the operations during the final showdown. And the way he engages in
crosstalk with others is indisputably intriguing. He calls the Cap that
whatever he is, has come out of a bottle. He offhandedly mentions Thor while
flicking on his triceps, ‘point break’. He even mock pokes the sides of Banner
as a joke. He looked nonchalant in ‘Ironman’, but in contrast with his fellow
mates, he wins the competition by soaring high and talking spry. In his scene
with Loki, he threatens the outsider without his suit, well that’s something Whedon
only could do.
Then of course there
is Loki. The first draw in his being the best villain is in the way he enunciates
each word with precision and with vehemence. Black widow goes wide eyed over
his monologue, but then she covers up by telling she got what she hoped from
him. Hawkeye, the least interesting character in the lot (no insult to Renner),
is drawn into the story as he goes under the influence of the villain owing to
the energy inside that controlling staff. Same is with Black Widow (Scarlette Johannson), because she
doesn’t match to Gods and supermachines, but Whedon’s action scenes highlight
her fighting skills. Captain America (Chris Evans) is that funnyless, staid man in a funny outfit, but he gains in his strict disciplinary attitude. But does he, it would be a point of debate. And then there is Thor (personal favorite). Despite Kenneth
Branaugh’s lukewarm appreciated movie of the Asgardian God, Hemsworth has that
personality, which drew his own set of fans. Mjolnir adds to that weight. He
has that royal look when he confronts his brother, other than that he is
generally usurped behind the VFX of the lightning bolts.
Stan Lee’s comic
books’ creations are actually a source of fun and awe, but Joss Whedon’s movie
goes a step further in making them memorable. His movie embodies many concepts
like a God among men, threat of an alien invasion, a green Hulk tearing through
the cities in his rage, science coming across with Gods and many more. These
ideas make the script of the movie embedded with non-stop action and which
allows a full freedom to explore and explore.
Stan Lee’s comics had
fifty years of history with countless collaborators adding their touch to the
comic. Marvel Cinematic universe had taken the best step since Iron Man as they
added their own innovation into the paperback comics. The little steps like
making Jarvis into an A.I. OS rather than a flesh character gave a completely
different theme to Avengers. There has always been that turning-the-corners
approach in the points of technology, plot and characters. Joss Whedon provides
yet another new turn for comics to take that cinematic new next step. And the
new generation, they just love it.
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