X men apocalypse movie review
X MEN: APOCALYPSE
Movie Review- Zulfi
2/5
Many times while watching ‘X men
Apocalypse’, I had doubts if Bryan Singer directed this. I didn’t see his old
way of presentation in this latest offering from the mutant franchise. The movie
looks long, overstretched piece of imagination, which audience would easily
lose the thread over. Not because of lack of understanding but because of
lassitude.
The movie
starts in the times of pharaohs with En Sabah Nur /Apocalypse (Oscar Isaac),
the first mutant, hopping from his body into another fresh one, in a ritual of
soul transference. But the act is sabotaged by the guards who serve him by
implosion of the massive pyramid. Why they do it? Don’t know? The procedure of spirit
changing the bodies however wasn’t able to be completed owing to want of some
sunlight, but one of the personal guards of Nur or horsemen, makes sure that
the physical form is intact behind the shroud of a an undestructible field. There
he lies in the depths of the earth with the whole rubble on him. And then times
flies to 1983. Xavier’s (James McAvoy) school is running and the students are
getting recruited steadily as Alex’s brother Scott summers is brought by him
for his uncontrolled visual radiations. Meanwhile in Poland, Magneto (Michael
Fassbender) is living his low-key life
with his wife and daughter as a metal factory worker. His family is killed in
an unfortunate manner. Moira MacTaggert,(Rose Byrne) FBI operative in ‘First
Class’, probes the ruin of the earlier mentioned pyramid and witnesses a mystic
group praying to Nur. Nur rises to his form and starts recruiting his four
horsemen (storm, angel, Psylocke) with the fourth being the despondent Magneto.
Apocalypse despises the modern world and wants to resurrect it from ashes. X men
are the only one stopping him.
The problem
with the movie is Bryan Singer’s melodramatic presentation. He tries the
operatic manner of introduction of his characters. The slow proceedings make it
hard to concentrate. The previous reboots had crisp storyline with set pieces
in every corner of the script. But apocalypse lacks in that variety. There aren’t
great action scenes. That is a given. There is an attempt to add grandeur to
the fights which fails miserably as there is no proper novel idea for the set
piece nor was it worked out properly. The climax fight is a gone case with
magneto and every other character reacting slowly to what is happening around. Storm
watches helplessly not once but a lot of times, which gives us an aspect of
improper editing. Popping up of William Stryker was done only for the intro of
Wolverine (Hugh Jackman) as it doesn’t add up anywhere with Apocalyse.
The character of Magneto for me
was stretched uncertainly in three ways during the rebooting of X men. In first
class, he leaves Xavier for his different thinking. So, he does in the two
sequels. This makes a little
discomforting for the viewer as we already know what Erik is. Sophie turner plays
a very good Jean Grey, but she isn’t given much character depth. How storm
comes up with the idea of switching loyalties isn’t properly explained. Apocalypse
is a big letdown as a villain. In the heavy, gaudy makeup, he moves like a
saint and we don’t know if he wants to glorify the world or was just being
plain selfish. His is clearly a half baked character. Quicksilver, who had the
best scene in his previous movie, is approached in the same way, but his comic
scene comes at a very serious instance. Talk of bad timing. And this overly
done previous idea isn’t much convincing. Wolverine would have been a good
escape from all these faults, if his role wouldn’t have been a brief one.
The writers were busy trying to
tie up the loose ends which occurred in the other movies. At this need of the
script, the writing looks more of a chore than for the want of creation. The only
piece of redemption comes with the mental connect of Xavier with Apocalypse,
when the latter takes the telepath’s strength and perpetrates the nuke handlers’
minds and makes decisions for them. Beast is a straight arrow with Nicholas
Hoult making some sense in not so-such sort of a movie. We also get a logical
explanation why the professor’s head is in a permanent tonsure. Fassbender
might have got tired managing his underwritten role. His Magneto in the
previous movies had good lines. The writing of ‘X men: Apocalypse’ is almost
non-existent. There is not even a single witty quip in a movie where the
character trait of each superhero may spawn hundreds of such puns. Mystique’s
(Jennifer Lawrence) end lines as the instructor are almost laughable. Her wanderings
since the start are also of mystic nature as we never come to know why she
saved Nightcrawler and where she took him. Nor does Bryan Singer as to where he
took us.
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